a slow life revolution
moving through the landscape in a timely manner
a recollection of gestures
to decolonise time
“ice ice gemini” glaze created for a good friendsculpture with manganese stained clay and cobalt slip trailing drawingsvessels in different variations of the glaze “tephra’’ in a temmoku look with metallic sheen
an arrangement of iron rich soils, raw umber and manganese dioxide earth is the only planet with fire therefore the only planet with ceramicslooking down at the gorge of the deafcover age games at the beachcopper wire drawingscyanotype with favourite formsspring clay landscape
luster reduction fired vessels with copper and silverlooking up to see eleonora’s falcons nesting in the limestoneslooking up to see eleonora’s falcons nesting in the limestonesmixing wild clay in a cadburys bucketcyanotype on terra sigillata vesselearth pigments: umber and ochrescopper wire drawing cyanotypelining up pebbles at the boundary of the wavesmy favorite vessel and my favorite catghosts of vessels pastsmoke fired vesselscopper blue glazes featuring: dolomite, barium carbonate, cryolite, magnesium carbonateearthenware kurinuki inspired cupreaching temp in the middle of a cold winter nightcommission of mini traditional cypriot jugs (kouzoues)fermented copper drawingsburnishing earthenware with a glass jarwild clay with a purple huepit firing results with stained terra sigillata and dusted with copper carbonateprocessing raw umber in a raw mannervessel with my glaze ‘’oil spill cristalline’’ limestones in nicosia district near the green lineunprocessed and forgotten wild clayclay mountainlimestones in limassol districtbentonite type soilexploring the quarry for materialsred ochre at the quarryraku dolce vessel, copper wire drawing on found ceramic and an extra stonepossibly goethite soilreduction in a gas fired kiln, cone 7, with my glazes ‘’gorge’’ and ‘’magnesium gorge’’reduction in a gas fired kiln, cone 7, with my glazes ‘’gorge’’ and ‘’magnesium gorge’’wild clay soil washed by the rain and ideal for terra sigillataholding the earth’s ceramicsholding the earth’s ceramicsthe earth’s ceramics/ clay rockstill life in the studio with raku dolce vessel and rocksdouble neck vessel in my glazes ‘’gorge’’ and “tephra’’ (detail)double neck vessel in my glazes ‘’gorge’’ and “tephra’’ (detail)double neck vessel in my glazes ‘’gorge’’ and “tephra’’traditional wedging process for wild clay soil at an abandoned minegathering soil at an abandoned minebeach clay ringmarkings with wild materialswild materials at the beachdried river bednaked raku sculpture in the studiowheel thrown and manipulated naked raku sculpture with glaze in the studionaked raku sculpture in the studio (view)naked raku sculpture in the studio (view)naked raku sculpture in the studio (view)processing red ochre gathering dried seaweed to make ash fromprocessing wild clayexploring rock formationsexploring the weathering of rock formationsearthenware vessel for scrying with black ink and wild claywild clay soilexperimental kiln for smoked terra sigillata using grinded olive pitslandscape with different clay soilsexploring sea cave formationswheel thrown and manipulated raku vessel with copper glazelandscape with bentonite type soilraku vessels with copper glaze seperatedraku vessels with copper glaze assembled