maria andreou


knowledge driven person

works and thoughts on
temporality and materiality





a slow life revolution 
moving through the landscape in a timely manner 
a recollection of gestures 
to decolonise time



“ice ice gemini” glaze created for a good friend
sculpture with manganese stained clay and cobalt slip trailing drawings
vessels in different variations of the glaze “tephra’’ in a temmoku look with metallic sheen
an arrangement of iron rich soils, raw umber and manganese dioxide 
earth is the only planet with fire therefore the only planet with ceramics
looking down at the gorge of the deaf
cover age games at the beach
copper wire drawings
cyanotype with favourite forms
spring clay landscape

luster reduction fired vessels with copper and silver
looking up to see eleonora’s falcons nesting in the limestones
looking up to see eleonora’s falcons nesting in the limestones
mixing wild clay in a cadburys bucket
cyanotype on terra sigillata vessel
earth pigments: umber and ochres
copper wire drawing cyanotype
lining up pebbles at the boundary of the waves
my favorite vessel and my favorite cat
ghosts of vessels past
smoke fired vessels
copper blue glazes featuring: dolomite, barium carbonate, cryolite, magnesium carbonate
earthenware kurinuki inspired cup
reaching temp in the middle of a cold winter night
commission of mini traditional cypriot jugs (kouzoues)
fermented copper drawings
burnishing earthenware with a glass jar
wild clay with a purple hue
pit firing results with stained terra sigillata and dusted with copper carbonate
processing raw umber in a raw manner
vessel with my glaze ‘’oil spill cristalline’’ 
limestones in nicosia district near the green line
unprocessed and forgotten wild clay
clay mountain
limestones in limassol district
bentonite type soil
exploring the quarry for materials
red ochre at the quarry
raku dolce vessel, copper wire drawing on found ceramic and an extra stone
possibly goethite soil
reduction in a gas fired kiln, cone 7, with my glazes ‘’gorge’’ and ‘’magnesium gorge’’
reduction in a gas fired kiln, cone 7, with my glazes ‘’gorge’’ and ‘’magnesium gorge’’
wild clay soil washed by the rain and ideal for terra sigillata
holding the earth’s ceramics
holding the earth’s ceramics
the earth’s ceramics/ clay rock
still life in the studio with raku dolce vessel and rocks
double neck vessel in my glazes ‘’gorge’’ and “tephra’’ (detail)
double neck vessel in my glazes ‘’gorge’’ and “tephra’’ (detail)
double neck vessel in my glazes ‘’gorge’’ and “tephra’’
traditional wedging process for wild clay 
soil at an abandoned mine
gathering soil at an abandoned mine
beach clay ring
markings with wild materials
wild materials at the beach
dried river bed
naked raku sculpture in the studio
wheel thrown and manipulated naked raku sculpture with glaze in the studio
naked raku sculpture in the studio (view)
naked raku sculpture in the studio (view)
naked raku sculpture in the studio (view)
processing red ochre 
gathering dried seaweed to make ash from
processing wild clay
exploring rock formations
exploring the weathering of rock formations
earthenware vessel for scrying with black ink and wild clay
wild clay soil
experimental kiln for smoked terra sigillata using grinded olive pits
landscape with different clay soils
exploring sea cave formations
wheel thrown and manipulated raku vessel with copper glaze
landscape with bentonite type soil
raku vessels with copper glaze seperated
raku vessels with copper glaze assembled 
 Maria Andreou is a visual artist based in Limassol, Cyprus. Andreou’s work is a research-oriented practice that evolves with the use of ceramics, performance elements, drawing, sculpture and writing. The research is dealing with themes such as the processes of subjectification, the instrumentalisation of language in geopolitical agendas, deep time versus human time in the context of labour and value, as well as ancient writing and landscape as geopoetics. 

She has been an artist in residence with foundations and organisations in Cyprus such as ‘’ARTos Cultural and Research Foundation’’, ‘’Centre of Performing Arts MITOS’’, ’’Phytoreio - Cyprus Visual Artists’’, ’’Loukia & Michael Zampelas Art Museum’’, ‘’Mitos, Centre of Performing Arts’’ and ‘’Snehta’’ in Athens, Greece. Other shows include ‘’Wads’’ for ‘'Ars Electronica’’ (Austria), ‘’Not to Sing Like a City Bird Sings’’ Pori Biennale 2020 (Finland), ’’Phase 1'' at ‘‘DriveDrive’’ (Cyprus), ‘‘Ecstatic Textures’’ at ‘‘Garage’' (Cyprus), ’’Urban Emptiness’’ in NeMe Arts Centre (Cyprus) and ‘’Milan Stepanovich’’ in Miroslav Kraljević Gallery (Croatia).